not

Hlina 70 li 1 caban VIII lipt.mikulas, občiansky aktivista a podnikateľ, ako nezávislý.
Vasaryova 48 vi 13 oc VII, Poslankyňa Bratislavského samosprávneho kraja, za stredopravú koalíciu SDKÚ, SaS, KDH, Most-Híd a OKS
Ftacnik 56 sc 8 men XIII, Úradujúci starosta Petržalky, ako nezávislý, s podporou Smeru
Budaj 52 aq 2 ben* V, mestský poslanec, za BA koalíciu Zmena zdola, Demokratickú úniu a Demokratickú stranu
/ moderuje blascak 1 oc IX (debata @a4 zajtra)

Merijn Oudenampsen spísal článok o amsterdamskej kultúrnej politike Creative City (starosta pred troma rokmi riekol, že ňou podporí kreativitu všetkých obyvateľov mesta), o (nevydarených) paralelách k myšlienkam situacionistu Constanta Nieuwenhuysa o spoločnosti, ktorú automatizácia oslobodila od ťarchy industriálnej práce a nahradila ju nomádskym žitím kreatívnou hrou mimo domén ekonomiky a funkcionality, a o tom ako tiahnutie kultúrnej politiky ku kultúrnemu priemyslu tlačí umelcov do role kultúrnych podnikateľov.
http://www.variant.randomstate.org/31texts/issue31.html#L6

4 scenarios w/ art+culture after crisis:
– consolation – mast na rany, podobne ako hollywood pocas great depression, feel-good filmy a hudba, people find solace in the social nature of arts events; to je ok, ale nezabudajte na minority, new art a innovation
– anger – a la punk v 70s
– business-as-usual, aj ludia v art/kult chcu spat bohate roky
– get real –
— talk to people, art have to find a new source of funds from millions of small donations (like obama)
— prepare for cuts – do more with less
— get much smarter at marketing
— free events/experiences, livestreaming
— don’t let mainstream media cut the arts programming
— use networks, involve people

now: art from periphery to heart of remaking society; because art isnt about leisure but about life

before: high culture (classical art forms) vs popular culture (cooking, watching tv, dancing, playing football)
now 3 interdependent spheres: publicly-funded culture (“what gets funded becomes culture”), commercial culture (gatekept by big companies similarly like pub-funded by state admins), home-made culture

“In this new model the arts are integrated into a wider cultural ecology so they become reconnected to everyday life”.
kulture sa konecne uzna zasadny podiel vo vzdelavani, ekonomike ci zahr.vztahoch.
Leadbeater: people want to enjoy, talk or do = passively sit and watch, socialise, and be creative.
20 yrs ago ‘do’ part was limited to few people. ‘talk’ part bola tiez dost obmedzena – divaci boli pasivni.
marginal [pub] + entertaing [comm] + amateur [home] = potent democratic expression.
Shoshana Zuboff: “there is a new kind of public out there, being made up of ‘new individuals who seek true voice, direct participation, unmediated influence and identity-based community because they are comfortable using their own experience as the basis for making judgements”.

via panel na Forum for Creative Economy v Prahe, marec 09, plus teraz kvoli iview s bishop

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