osobna listening historia:
nahravam na mc z radia (aj cez piesne na zelania – kompletizujem beatles diskografiu)
cd si kupujem
grabujem cd (oliver, slavo)
mp3 cd storing & sharing (danky)
mc v aute (pvt)
wfmu
stahujem z filesharingu (jan 2010: co sa dnes stalo? stiahol som 25 albumov. panboh zaplat)
napalene cds v aute
snivam o what.cd
+
magde:
v poslednej dobe dost uvazujem o ‘pocuvani hudby’
(socialne, intersubjektivne, esteticke aspekty,
najma v suvislosti s kazdodennostou, s travenim casu),
napriklad si pozriem cez last.fm co pocuva gnd, zapnem si to
tiez a bavime sa na skype;
podobne na IRCcku co tam stale visime piati-siesti tak
vzdy cca tusim co prave pocuvaju ostatni a je to celkom
pekny element v spolocnom ‘hanging out’;
hudbu tiez dost zdielam a cez to aky na nu dostanem
feedback od ludi ich tiez spoznavam;
tiez idea performance ako pocuvania – ze performer postavi
nastroj alebo nejaky setup, semtam mu nejak pomoze, ale
primarne pocas performance si ho prisiel vypocut podobne
ako ostatne poblikum; atd…
ten trip do srbska a rumunska s tym suvisi tiez… lucia a gnd
idu okrem rozhovorov nahravat aj prostredie, ambient,
bude to pocuvaci vylet… :)
…
Shingo sa tomu venuje tiez:
“Except for artistic activities, he works as organizer too.
His organized events is called “listening point”. One big purpose of the
concert is to realize a space on which not only public but also
musicians too can “listen together”. Namely, “point for listening”.
In addition to,the listening as an activity expands more through
this “point”, it’s meant,too.”